11/26
Starring Graham Norton and guests: Nicole Kidman/Cynthia Erivo/James Norton/Chris McClausland/Benson Boone (2024)
A powerful CEO puts her career and family at risk when she begins a passionate affair with a much younger intern. Jean Reno shot scenes for the film, but they were completely cut from the finished film. I recently watched Babygirl and I have to say it’s one of the most unique and daring thrillers I’ve seen in a while.
First, the visuals are stunning
Directed by Halina Reijn, the film delves into the complexities of human desire and power dynamics, wrapped in an intense, almost suffocating atmosphere. Jasper Wolf’s cinematography captures the raw emotion of each scene, combining light and shadow to create an atmospheric, almost dreamlike world. There’s a constant sense of tension, as if something explosive is always about to happen, and the pace is tense.
That said, Babygirl isn’t for everyone
Nicole Kidman gives a stunning performance, bringing a mix of vulnerability and cold calculation to her character. The supporting cast, while lesser-known, also do a great job of adding depth and unpredictability to the story. Without giving too much away, the film’s exploration of psychological control and subjugation is both disturbing and compelling.
The erotic elements are tastefully handled, though some viewers may find them uncomfortable or controversial
At times, the plot feels deliberately vague, forcing you to piece together the characters’ motivations, which intrigued me but may frustrate others. Overall, if you like psychological thrillers that don’t shy away from taboo subjects and push boundaries, Babygirl is definitely worth a watch. It’s scary, stylish, and will keep you thinking about it long after the credits have rolled.